1974 - Canzoniere del Lazio
lassa stà la me creatura (Intingo)

CORSO COMO 4 – MARE NOSTRUM

The Romans have always preferred mainland firmness to rough sea. In fact, in 260 B.C. they won the first sea battle against the Carthaginian thanks to a brilliant "techinical-tactical" invention: the boarding ramps, allowing a hazardous maritime battle to be transformed into a more secure land battle. from that moment on, and thanks to the consistent use of that invention, the Romans rapidly became the undisputed rulers of the whole Mediterranean Sea which soon became a "private swimming pool" - a natatory evolution of what Socrates had called "the frogs'pound" in one of his poems. As a matter of fact, the Mediterrean Sea - safer and more hospitalitable than the ocean that howled beyond the Pillars of Hercules - was lately renamed Mare Nostrum. Mare Nostrum caption is however used with a different meaning in this contest. This expression, as marvellously stressed by Luigi Cinque in his introduction, is here used to briefly summarise the vast richness of music and cultures of the many nations boarding the Mediterranean Sea.

2007 – Caffè Fandango Vol.1

MILLEUNA
E ALTRE PAROLE PER MUSICA
di Nanni BalestriniCurrently available in bookshops, Nanni Balestrini’s Milleuna E altre parole per musica will soon be presented to the public. Published by DeriveApprodi, this unique music-poetry publication features a vast array of artists, including Luigi Cinque.
The poetry section is accompanied by a CD, which sets the poems to music. This unique opera further solidifies the intimate bond between poetry and music.
It is collocated at the centre of a larger process called ‘The Savage Identity’ and to use Luigi Cinque’s words: the poetry and the CD are not two different profiles of the same face but they are instead inevitably inseparable—an all-accomplished opera made up of voiced poetry and contemporary music.
Within the vast artistic activity of Nanni Balestrini, his first fatal encounter was with the sound of the poetic word, which later led to numerous experiments and experiences with music. His writings have been the object of stage performances and recordings. Some of these experiences are featured in Milleuna, shedding light on the vast array of solutions that evidence the principle feature of Balestrini’s poetry: the pursuit of an expressive force based on the material value of words. It is an opera where the word’s union with music makes this expressive force all the more explicit and engaging. Here are some of the precious nodes of this new poetic-musical mosaic: Luigi Nono ‘Contropunto dialettico alla mente’; Demetrio Stratos ‘Le milleuna’; Valeria Magli ‘Paesaggio con giunchi attraversato dalla signorina Richmond’; Steve Lacy ‘Sommerbird’; Quatuor ‘Maniche Alba’; Esther Roth ‘Le poisson ardent’; Paolo Rossi ‘Tango dei furiosi’; Luigi Cinque ‘Elettra’; Peppe Servillo ‘Sandokan’; Mario Mazzoli ‘Istantanee’; Antonio Rezza ‘Basta cani’; Paolo Fresu ‘Frammenti del sasso appeso’; Third ‘I Cieli’.

2004 - ALLCHILDREN in school
Audrey Hepburn children's fund. UNICEFf

2003 - ACID JAZZ 82 (EMME K Ed)

2003 - strictly mundial 2003
EUROPEAN FORUM of WORLDWIDE MUSIC FESTIVALS

2003 - fRoots no. 21
CD uscito con la rivista Roots di agosto/settembre 2003

1995 - LUNA DI GIORNO
(Micocci Ed)
le canzoni di Pier Paolo Pasolini

2004 - Lello Voce
Fast Blood (Mrf)

2003 - Antonio Infantino
TARA'N TRANCE (Amiata Records)

2001-  Evelina Meghnagi
Di voce in voce (Mrf)

1979 - Banco del Mutuo Soccorso
Canto di primavera (Ricordi)